These can be resin or epoxy resin, varnish, wax or gel. Varnishers, painters, typesetters and printers like to mix the noctilucent substances with colourless carrier fluids and binders. Glowing paint is most widely used in arts and jewellery crafts, as well as in handicrafts and decorating.Īnother important sector is the manufacturing industry. In children's rooms, they make objects glow. Fluorescent materials are used almost everywhere in everyday life, for example when house numbers and escape route markings are to glow at night. The colours range from blue, yellow and green to violet. The particle size of our pigments is usually around 55-75 micrometres, which corresponds to the diameter of a human hair. They therefore do not consume themselves, but retain their effect for up to 15 years. The colour particles are recharged by light, preferably UV radiation but also artificial light. Depending on the colour and mixture as well as the carrier substance, they have a glow duration of up to 12 hours. This has significantly increased colour intensity, duration of effect and durability.
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Should the work be made to be viewed under ultraviolet light (black light), no MSA Varnish w/UVLS or Polymer Varnish w/UVLS should be used, as it will diminish the "glow" quality and may cause the surface to look uneven.Glow powders and glow pigments are available as premium glow powders and professional night glow powders since they have been produced on the basis of strontium aluminate. If greater permanency is desired, GOLDEN MSA Varnish with Ultraviolet Light Stabilizers (UVLS) is recommended. Reducing the Fluorescents with GOLDEN Airbrush Medium will yield excellent sprayability.īlends with GOLDEN Matte Products, such as Matte Medium or Regular Gel (Matte) may diminish the brightness of the pigment by interfering with the absorption of light.īecause the Fluorescent colors are pigmented dyes, they are not lightfast. GOLDEN Gels and Mediums are available in a large assortment of viscosities and offer many unique attributes (refer to the GOLDEN Product Review on Gels & Mediums for the most current information). Even very small additions of a Heavy Body or Fluid Acrylic can substantially dull the color.īlending with gels and mediums should not negatively effect the brightness of the Fluorescent Colors. Other non-fluorescent acrylic colors may be blended with these fluorescents, but doing so will tend to decrease the fluorescent color intensity dramatically. Always test blends before use in artwork. Even blending Fluorescent colors together will begin to diminish the brightness. GOLDEN Fluorescent Colors should be used by themselves to achieve the maximum vibrancy. The greatest intensity of color can be achieved by working over a bright white surface, such as GOLDEN White Gesso or Heavy Body Titanium White. However, because the fluorescent pigments are extremely transparent, they should be applied over light colors of similar hue to achieve opacity. Like other GOLDEN products, GOLDEN Fluorescents have a high pigment load. GOLDEN Fluorescent Acrylics have been formulated for maximum intensity of color.
Grey Matters Oil Synthetic Brushes Filbert.Grey Matters Oil Synthetic Brushes Angeled.
Grey Matters Oil Synthetic Brushes Bright.
Grey Matters Acrylic Synthetic Brushes Round.Grey Matters Acrylic Synthetic Brushes Flat.Grey Matters Acrylic Synthetic Brushes Filbert.Grey Matters Acrylic Synthetic Brushes Bright.Grey Matters Acrylic Synthetic Brushes Angled.
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